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Claudia Kappenberg | : | research & publications | |
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home :: biog :: works :: research |
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Research |
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Jan 2009 - present |
Blog:
'The Art of Sabbatical' |
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June 2010 | |
The AHRC Screendance
Network is launching a new Journal of Screendance, the first-ever scholarly
journal dedicated to the growing area of inter-disciplinary practice of Screendance.
Launch at the American Dance Festival, Durham, North Caroline, June 2010.
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April 2010 |
What
If… festival, A festival drawing from work in film, dance,
live and visual art co-curated by 5 artists with a background in dance,
visual art and film-making. The co-curators are Lucy Cash, Becky Edmunds,
Claudia Kappenberg and Chirstinn Whyte with Gill Clarke from Independent
Dance. |
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December 2009 |
'Discourse
and Publication in Screendance', paper given at Archiv/Praxis,
Universitaet Leipzig, Germany November 2009. |
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April 2009 |
Awarded AHRC Network Grant for
research into Discourse and Publication on Screendance. |
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April 2009 |
“Does Screendance need to look
like dance?”, paper given at Exploring the screen as a site
for choreography,
Screen dance research event, University of Bristol, Department of Drama,
Theatre, Film & Television, Cantocks Close, Bristol, UK.
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Dec 2008 |
‘Bread Tools and Mittens’;
performance presentation for Bodies In Motion: Exploration In Perception
And Performance, Florida Atlantic University, Boca Raton, Florida,
US. |
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June 2008 |
“Does Screendance need to look
like dance?”, paper given at ‘Screendance State of the
Art 2’,
American Dance Festival, Duke University, North Carolina, US. http://dvpg.net/screendance2008.html |
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November
2007
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‘Exhausting the Screen’,
paper given at Open
Source {Video-Dance}, 2nd International Conference
for Screendance, Findhorn, Scotland. |
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June
2007 |
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'A
reading of the film Entre’acte', paper given at MOVES, International
Screen Choreography Conference, Manchester Metropolitan University, Manchester
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| Since Oct 2006 |
PhD at the University of Brighton. |
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| June 2006 | Scribe/ Documentor for Open
Source - Video Dance, a conference at Findhorn, Scotland, exploring
the current state of Dance for the Camera through new strategies for debate and
documentation. |
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| March 2006 | Reconstructions of dances from the
1920ís by Choreographer Hilde Holger at the Laban Centre, London, as part
of the Hilde Holger Centenary, performed by students of the
Dance and Visual Arts Course, University of Brighton. |
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| October 2005 | Hilde Holger Centenary,
video presentation for centenary of Choreographer Hilde Holger, Austrian Cultural
Forum, London. |
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June 2004
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The Use of Uselessness,
presentation for Plato's Symposium, The Leleg Institute, Bodrum, Turkey. |
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June 2003
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Paper at Improvisation Conference Liverpool entitled 'The Unknown
Other in Performance'. Liverpool John Moore's University. |
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July 2003 |
T/Reason presentation and screening of work for public research debate for the Royal College of Art at the Serpentine Gallery, London. |
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July 2003
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Chair of panel discussion with Yvonne Rainer and Deborah Hay, London International Summerschool, Greenwich Dance Agency, London. | ||||
Publications
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June 2010 |
'The Logic of the Copy,
from Appropriation to Choreography', article to be published in
the Journal
of Screendance, Parallel
Press and the University of Wisconsin, Madison Wisconsin, US. |
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January 2010 |
'Does Screendance need to
look like dance?', article published in the International
Journal of Performing Arts and Digital Media (PADM). Edited by Prof Sherril
Dodds the issue is wholly dedicated to research and discourses on Screendance. |
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May 2009 |
Open Source {Video-Dance},
Goat Media LTD 2009. Proceedings of conference at Findhorn, Scotland, 2007. |
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June 2007 |
Open Source {Video-Dance},
Goat Media LTD 2007, Images and notes of conference at Findhorn, Scotland, 2006, exploring the current state of Dance for the Camera with new strategies for debate and documentation. See http://videodance.blogspot.com/ |
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January 2006
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Hilde Holger, Spirit and Maracas, Co-authorship of a chapter
with Prof Liz Aggiss for Anarchic
Dance, published by Routledge Jan 2006. The chapter discusses the work of
Austrian Choreographer Hilde Holger. |
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©2006-2010 Claudia Kappenberg |
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